ART
Queued up in four parts, a performative exhibition in Luxembourg copes with post-industrialism’s many identity crises in a chart-topper’s exuberant regis
by 株式会社カウンタック
“After Laughter Comes Tears” is like a pop song: affable, ephemeral, garish, executed with a high-production value. And like a pop song, it is in-...Read more →